Wild, Weird, Bloody. German Genre Films of the 70s
Iconic films from East and West Germany: For the upcoming Berlinale Retrospective we showcase the vibrant genre cinema of the 1970s.
Retrospektive der 75. Internationalen Filmfestspiele Berlin
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Berlinale Program
Information on ticket purchases will be available here soon. You can find the Berlinale program on the festival website.
As part of the Berlinale 2025, the Retrospective ‘Wild, Weird, Bloody. German Genre Films of the 70s’ celebrates the German genre cinema of this decade.
Rainer Rother, head of the Retrospective and the Kinemathek, explains: “A longstanding preconception says that Germans can’t do genre. But in fact, early German cinema laid a groundwork that was influential in the international development of fantasy and science fiction moviemaking. […] Our Retrospective showcases pictures, made amid other film currents such as New German Cinema that embraced the appeal and played with the possibilities of a good genre flick.”
In the 1970s, a period influenced by the wave of exploitation films, numerous exceptional movies emerged, pushing the boundaries of storytelling and aesthetics. Roland Klick’s ‘Deadlock’ (1970) blends gangster and psychedelic late Western genres, while Hans W. Geißendörfer’s ‘Jonathan’ (1970) offers a new interpretation of the horror genre. From the GDR, ‘Orpheus in the Underworld’ (1974) and ‘Carnations in Aspic’ (1976) enrich the Retrospective. The program is complemented by works from Rainer Erler, Klaus Lemke, Ulli Lommel, and Wolfgang Petersen, who explored genres like the biker film, thriller, and musical.
“Modern audiences eagerly embrace genre cinema and enjoy tracing crime, science fiction, horror and other genre roots all the way back to the earliest days of the form. This selection of deep thrills and blood spills offers so many discoveries, and shines a light into new corners of German cinema”, comments Berlinale Director Tricia Tuttle.
Die Filme der Retrospektive
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Blutiger Freitag (Bloody Friday)
FRG/IT 1972, directed by Rolf Olsen
Starring Raimund Harmstorf, Amadeus August, Gila von Weitershausen, Gianni Macchia, Christine Böhm, Ernst H. Hilbich, Walter Buschhoff, E. O. Fuhrmann, Horst Naumann, Daniela Giordano
A bank robbery in Munich goes south, ending in a hostage taking and a wave of violence. Loosely modelled on actual crimes, this German-Italian entry in the giallo genre is an impressive blend of realistic and over-the-top elements.
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Deadlock
FRG 1970, directed by Roland Klick
Starring Mario Adorf, Anthony Dawson, Marquard Bohm, Mascha Rabben, Sigurd Fitzek, Betty Segal
Under the torrid sun in an abandoned desert settlement, there is a lethal battle over the spoils of a bank robbery. This heady spaghetti western features psychedelic music by Cologne kraut-rockers Can.
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Einer von uns beiden (One or the Other of Us)
FRG 1974, directed by Wolfgang Petersen
Starring Klaus Schwarzkopf, Elke Sommer, Jürgen Prochnow, Ulla Jacobsson, Kristina Nel, Anita Kupsch, Walter Gross, Fritz Tillmann, Berta Drews, Claus Theo Gärtner. Otto Sander, Tilo Prückner
A broke drop-out blackmails a sociology professor after discovering that his dissertation was a plagiary. This action-packed film version of a “sociological thriller” set in Berlin was Wolfgang Petersen’s lead-in to a Hollywood career.
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Fleisch (Spare Parts)
FRG 1979, directed by Rainer Erler
Starring Jutta Speidel, Wolf Roth, Herbert Herrmann, Charlotte Kerr, Christoph Lindert, Bob Cunningham, Tedi Altice, Ben Zeller, Ronnie Lee Williams
While a German couple is on their honeymoon in the USA, the groom is kidnapped by an ambulance crew. His bride joins forces with a trucker to try to find him. This 1979 thriller about the illicit trade in human organs triggered fierce debate at the time.
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Fremde Stadt (Strange City)
FRG 1972, directed by Rudolf Thome
Starring Roger Fritz, Karin Thome, Peter Moland, Werner Umberg, Eva Kinsky, Georg Marischka, Martin Sperr, Christian Friedel, Stefan Abendroth, Hans Noever
A bank robber comes to Munich to ask for his ex-wife’s help in “laundering” the stolen money. He is soon running from a detective and a gaggle of other greedy pursuers. A black-and-white thriller in Cinemascope inspired by American B pictures.
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Hut ab, wenn du küsst! (Hat Off When You Kiss!)
GDR 1971, directed by Rolf Losansky
Starring Angelika Waller, Alexander Lang, Rolf Römer, Günter Junghans, Günther Grabbert, Peter Borgelt, Gerd E. Schäfer, Bruno Carstens, Johannes Maus, Carola Braunbock, Helga Sasse, Heide Kipp, Ulrich Anschütz
A macho engineer has a problem with his girlfriend working as an auto mechanic. She sets about arousing the jealousy of her old-fashioned boyfriend. Set at East Germany’s Leipzig Trade Fair, this musical rom-com struck a blow for the Working Woman.
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Jonathan
FRG 1970, directed by Hans W. Geißendörfer
Starring Jürgen Jung, Hans-Dieter Jendreyko, Paul Albert Krumm, Hertha von Walther, Oskar von Schab, Ilona Grübel, Sophie Strehlow, Gaby Herbst, Arthur Brauss
A blood-thirsty aristocrat and his followers terrorise an entire region – until the people rise up against them. A visually rich, fascinating genre film that echoes the politics of its time. Based loosely on leitmotifs from Bram Stoker’s “Dracula”.
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Lady Dracula
FRG 1978, directed by Franz Josef Gottlieb
Starring Evelyne Kraft, Brad Harris, Theo Lingen, Eddi Arent, Stephen Boyd, Christine Buchegger, Walter Giller, Klaus Höhne, Roberto Blanco, Marion Kracht, Heinz Reincke, Christine Schuberth, Herbert Fux
A vampire re-awakes 100 years after she was bitten by Count Dracula. The title character finds work, and victims, as a mortuary cosmetologist in Vienna. The film is a genre mix of horror, thriller, and crude jokes that sported a notable cast for the time.
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Mädchen mit Gewalt (The Brutes)
FRG 1970, directed by Roger Fritz
Starring Helga Anders, Klaus Löwitsch, Arthur Brauss, Rolf Zacher, Monika Zinnenberg
A young woman is raped in the night. But her real nightmare begins the following morning. A stark “rape without revenge” exploitation film that is a disquieting thematic exploration of toxic systemic masculinity.
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Männer sind zum Lieben da (The Girls from Atlantis)
FRG 1970, directed by Eckhart Schmidt
Starring Isi ter Jung, Horst Letten, Barbara Capell, Diana Nisbeth, Marianne Sock, Les Olvedi, Arthur Brauss, Jürgen Michaelis, Peter Przygodda, Wilhelm Roth
A group of women from an alien realm shrink men by sleeping with them, and then kidnap them as sex slaves. But one of them falls in love with her victim. An enchanting satire of the soft-sex film genre with burlesque and poetic elements.
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Nelken in Aspik (Carnations in Aspic)
GDR 1976, directed by Günter Reisch
Starring Armin Mueller-Stahl, Helga Sasse, Erik S. Klein, Helga Göring, Herbert Köfer, Eva-Maria Hagen, Edwin Marian, Norbert Christian, Winfried Glatzeder, Fred Delmare
To hide his lisp, a commercial artist stops talking altogether. Hailed as a savvy innovator, he advances to become director of an ad agency. Armin Mueller-Stahl is brilliant in this subversive satire of a dysfunctional East German working environment.
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Nicht schummeln, Liebling! (Don’t Cheat, Darling!)
GDR 1973, directed by Joachim Hasler
Starring Chris Doerk, Frank Schöbel, Dorit Gäbler, Christel Bodenstein, Karel Fiala, Rolf Herricht, Peter Bause, Heinz Behrens, Stefan Lisewski, Horst Schulze
A school principal and her girls’ soccer team battle it out with the town’s men’s team, which has been accorded unheard of privileges by the mayor. A saucy musical featuring snazzy choreography and the East German pop stars Frank Schöbel and Chris Doerk.
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Orpheus in der Unterwelt (Orpheus in the Underworld)
GDR 1973, directed by Horst Bonnet
Starring Wolfgang Greese, Dorit Gäbler, Rolf Hoppe, Lisa Macheiner, Achim Wichert, Fred Düren, Helga Piur, Gisela Bestehorn, Fred Delmare, Werner Senftleben, Gerry Wolff
The philandering Orpheus is forced to go to the rescue of his adulterous wife Eurydice who has been spirited away to Hades. This opulent film version of Jacques Offenbach’s suggestive operetta is full of satirical jabs at life in East Germany.
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Rocker
FRG 1972, directed by Klaus Lemke
Mit: Hans-Jürgen Modschiedler, Gerd Kruskopf, Paul Lyss, Marianne Mim, Heidrun Rieckmann, Dennis O. Heinrich, Joe Ebel, Ole Jürgens, Eva Pampuch, Bloody Devils
A leather-boy from Hamburg and a 14-year-old drifter help each other out in a milieu teeming with violence. Shot on location with an amateur cast, this down and dirty biker flick paints an authentic picture of a big-city subculture.
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Die Zärtlichkeit der Wölfe (Tenderness of the Wolves)
FRG 1973, directed by Ulli Lommel
Starring Kurt Raab, Jeff Roden, Margit Carstensen, Ingrid Caven, Wolfgang Schenck, Brigitte Mira, Rainer Hauer, Barbara Bertram, Rainer Werner Fassbinder, Heinrich Giskes
Ulli Lommel’s film about a serial killer in the early post-war era echoes the real story of “wolf man” murderer Fritz Haarmann. A mix of Fritz Lang’s M and Hitchcock’s Psycho that follows in the tradition of Weimar cinema.
Das Team
The Retrospective Team
Director of the Retrospective, Artistic Director: Rainer Rother
Retrospective Curatorial Board: Rainer Rother, Annika Haupts
Programme Coordinator: Annika Haupts
Festival Coordinator: Anke Hartwig
Festival Manager: Christin Meyer
Team Assistant: Maria-Sophie Jenkel
Press: Silke Lehmann
Author: Jörg Schöning
Editor: Julian Born
Translator: Rebecca M. Stuart
Subtitling Coordinator: Noémie Causse
Film Print Coordinator: Steffen Vogt