Film Restored – The Film Heritage Festival
Under the title of ‘Community’, Film Restored 2024 is dedicated to cinema as a collaborative experience.
Our archive has separate opening times.
Potsdamer Straße 2
10785 Berlin
Germany
Everyone is welcome!
Refugees and accompanying persons can enter the Museum of Film and Television free of charge.
Because of the range of our collections and archives, we are only able to present a fraction of it in the museum. You can discover, reseach and view further highlights in our “digital collection”.
Sneek peaks into the iconic images of the controversial director, to whom we’ll soon be dedicating an exhibition.
Insights into the life of an icon. Photos from Marlene Dietrich’s childhood in Berlin, of her dedication during World War II as well as numerous costumes and costume designs.
Travel through time and discover 100 years of movie theater history in Berlin. In seven chronologic photo galleries, you can explore our collection on movie theater history and delve into historic views of Berlin.
On the platform, children can make their own animated films and watch fascinating short films. A selection of the videos is provided with audio description, subtitles and sign language or in Arabic, Polish and Turkish.
Visit our archives on site. The archives are distributed around various locations. We invite everyone, who is interested in our collections. Don’t hesitate to contact us with any questions.
Our film distribution library holds over 20,000 films for screenings at cinemas and festivals.
The next best thing to watching a film is reading about it. The Deutsche Kinemathek routinely publishes books on film and television history.
The Museum for Film and Television offers a diverse range of educational options, including tours, workshops, film views and discussions.
We have signed the Berlin Declaration of the Many.
Content note
The mission of the Deutsche Kinemathek is to preserve and reflect on audiovisual heritage. This includes content in the collections and archives that reproduces ideologies or stereotypes and which is discriminatory. When dealing with such content and any reproduction thereof, contextualizations are essential. This does not imply any endorsement of the statements, judgements or representations conveyed by the respective content.