Film Restored – Workshop Report and Screening – Tatjana Ivančić: Experimental Films

European Restorations

Workshop Report with Petra Belc (Kinoklub Zagreb) and Nadja Šičarov (Österreichisches Filmmuseum): “Preserving Yugoslav Experimental Amateur Film Heritage: The films of Tatjana Ivančić”

In English

In 2019, Kinoklub Zagreb (KKZ) approached the Austrian Film Museum with a request for collaboration in restoring the films of its most prolific member, Tatjana Ivančić (1913-1986), who made over seventy Super 8mm films between the 1960s and 1980s and competed in many Yugoslav amateur film festivals, which helped to establish the country’s experimental film scene. The majority of Ivančić’s shorts were about the beauty of the mundane and the small details of the natural world, and the textures of the biosphere

Screening:

Tatjana Ivančić : Experimental films

YU 1969–1976, Director: Tatjana Ivančić

OV
Original format: 8 mm, 1.33:1, sw/bw
DCP 2K, 48 min, Austrian Film Museum

Tatjana Ivančić was skillful, inventive, attentive, and poetic – whether she was recording the microcosm of coastal beaches, the hustle and bustle of a city reflected in a shop window, or her grandchildren‘s first steps. This short film program includes: ‘Until the Last Drop’ (1972), ‘Good Old Oar’ (1976), ‘Boredom’ (1973), ‘Equinox’ (1973), ‘City in the Shop Window’ (1969), ‘From 0 to 2’ (1972), ‘The Sand’ (1971), ‘Travelogue’ (1976), ‘Variations’ (1975), ‘From Dawn to Dusk’ (1971), and ‘The Play of Life’ (1972).

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